MANA WAHINE: SACHELLE DAE
|
In 2021, participants of our ST*BA storytelling exchange led by artist Leilehua Yuen were paired up with community kūpuna to engage in an open talk story session. Drawing on our training through StoryCorps DIY, pairings of two individuals met for a 40-minute, audio-recorded conversation with the goal of capturing an authentic moment of connection. This collection became the basis for an RFP (request for proposals) wherein artists were asked to bring one or more stories to life through public art.
In June 2022, Maui-based artist Sachelle Dae will present a series of three oil paintings inspired by two talk story recordings: One between Anuhea Yagi, Student of Hawaiian Life Ways and Roselle Bailey, Kumu Hula, KaʻImi Naʻauao O Hawaii Nei Institute, and another between Kalapana Kollars, Hawaiian Cultural Programs Director, Lahaina Restoration Foundation and Wallette Pellegrino, Host of ”Preserving Our Recollections” Oral History TV Program for University of Hawaiʻi Maui College. The artist's paintings will be scanned, super-sized and temporarily exhibited facing Market Street from First Hawaiian Bank Wailuku Branch (27 North Market Street). This area connects to a new walkway surrounding the Wailuku municipal parking lot, which features the work of ST*BA's former MANA WAHINE project. Sachelle's pieces will become an appropriate extension of this work. |
|
ABOUT SACHELLE:
|
From art camp as a young child at Hui Noʻeau to studying realism painting as a young adult in Philadelphia, PA, Sachelle Dae has had a love for art her whole life. Now living back in her home on the island of Maui, she creates artwork that combines her background in classical realism painting with fantastical and abstract elements. She is a recipient of the State Foundation on Culture and The Arts Acquisition Award and has recently had her work exhibited at the Hawai'i State Art Museum. She was also a part of Hawai'i's statewide 2022 Schaefer Portrait Challenge. Aside from being a professional artist, Sachelle has extensive experience teaching art to children and young adults. While living in Philadelphia, she worked with a non-profit that brought art into inner city Philadelphia title 1 public schools.
|
PROPOSAL EXCERPT + SAMPLE WORK:
|
I have been following Small Town Big Art projects and have always wanted to be involved. The older I become, the more I ask the question, "what can i give?" rather than, "what can i have?". I feel that community-involved public art answers this question well. I've decided to make three paintings based off of Roselle Bailey's and Wallette Pellegrino's talks. I think these two go well together because they have a nice contrast of immateriality and materiality. Consequently, as hinted in Bailey's talk the vibrations/intention pulled from immateriality manifest into this world. Wailuku is a physical place but also carries a spirit. No place is just physical. The first and last painting would be an investigation into Bailey's mana'o on Oli and that contractual element as well as paying homage to the original way of record-keeping in Hawai'i through Oli. The second painting in between those two would delve into Pellegrino's memory of old Wailuku town and represent what are now "remnants".
|
|
‘Ōlelo No‘eau Consultation
|
Anuhea Yagi & Wallette Pellegrino Consultation
|
PROJECT TRACKING:
|
|